Showing posts with label intensive critic unit. Show all posts
Showing posts with label intensive critic unit. Show all posts

Monday, April 22, 2013



I am not a beauty blogger. The only thing I know about beauty is that it is believed to be in the eye of the beholder. What I know about make-up? Less so. Daily regimen consist of face powder, little blush and lip tint/balm. Sometimes with a special cameo of mascara. It was just recently that I got interested (okay, a bit obsessed, maybe) about lipsticks. More specifically nude lipsticks that doesn't make me look like a trying-hard, single mid-50 who goes ballroom dancing at night.

Because of my fair skin, bright, vivid hues makes me look over-painted and weird. I've been searching everywhere for that perfect nude lipstick that will complement my skin tone and will look natural on my lips. Gratefully, with the help of various PH beauty blogs, I've found the perfect nude lipstick late last year:

Etude House: Wanna Be #3 So Chic Beige

To be honest, I didn't like the Korean beauty bar before because I find their items childishly designed / packaged, ridiculously named and waaay too expensive for the product you get. But this sole item made me change my mind. 

The box is gorgeous, the black tube is a darling inside my pouch (but gets scratched easily for some reason), but most importantly, the shade is just spot on perfect for me. I'm not good with colors, but it's a mix of peach and pink which makes lips look naturally plump and healthy. Also, the consistency is amazingly creamy and non-drying, add to that a mild yummy scent that makes you think you're eating something when applying it.

Major CON? It was a limited edition product, part of 2011 Winter Collection, with stocks being phased out of Etude House branches weekly.

So what's a girl to do? I bought a second tube (last stock of Cubao branch) even before my first was just halfway done. As expected, as lipstick tubes do not last forever especially if they are being used daily, I was about to ran out earlier this year and was frantically Googling for the exact shade replica of this seemingly irreplaceable shade. 'Lo and behold, I found it, thanks again to the beauty blogger community here in the country:

Etude House: Dear My Blooming Lips BE101

Yes, the name is cringe-worthy, it doesn't even make sense at all. But what's important is the product, and surprisingly enough, it's the exact same lipstick just packaged differently. 

Okay, maybe not exactly the same, since the pigmentation was toned down a few notches and the finish became more glossy than the matte finish I was used to from So Chic Beige, but nonetheless, it was the same thing more or less. After weeks of Googling and beauty bar searching, imagine how happy I was.

Staying power is still a downside as it sticks to every straw and spoon it has come in contact with and reapplication is definitely needed after eating and/or drinking. Still, it remains to be the best shade for me, so I'm no doubt keeping it.

If Etude House keep this line for all eternity, I shall be forever happy. Lipstick-wise at least. 

Tuesday, February 12, 2013


I think it's safe to say that I've never read a novel or any book like this before in the hundreds (if not thousands) of books I managed to get my paws on in the almost two decades that I've been reading. 

A nameless character tells the story of a relationship entirely in dictionary entries. There is no chronological order of events, no cohesive plot, no palpable characterization, only flawless narration of events, dialogues and feelings that delivers a story that is vague and nondescript but featuring settings and feelings that are all too familiar to most people who is and has been, at least once in their lives, in love.

Since the novel defies the usual paths of plot line developments, what makes this literary gem sparkle is its ability to lure the reader in solely by just the brilliance of its writing and the ideas and insights that comes with such situations universally common in almost all relationships.


The Lover's Dictionary by David Levithan, an author who was introduced to me by John Green via their collaboration in Will Grayson, Will Grayson, is an easy, wonderful read. It will make you smile, laugh and tear up in different occasions in the less than 3 hours you will spend finishing it. It's a quick read, without overwhelming the senses, without pretending to be what its not. 
 It will make you think about your own life, its past and the future that lies ahead. It will make you love the concept of love, including the struggles and the bliss that comes with the territory. Because, what else is life for?

Thursday, October 4, 2012

Every once in a while, everyone (at least everyone who reads for pleasure) needs a good novel to curl up to during rainy evenings under the cozy warmth of a comforter surrounded by familiar it's-so-fluffy-I'm-gonna-die pillows. 

The kind of book that reminds one of the aroma of freshly brewed coffee and the yellow lights of somewhere classy but also laid back where people can sit all day and talk or just mind their own emo sentimentalities. The class of literature that makes one think of the pleasure of people watching and conjuring stories based on the looks and body gestures of two connecting individuals or a lone entity sitting by the windowsill watching rain droplets slide through the glass like a physical weather-related manifestation for all the uncried tears humanity has been keeping inside.

This is exactly what Marla Miniano's novel, Table For Two, felt like. Uncannily similar to listening to a good friend tell her story in detail over a cup of overly expensive creamy latte with pretty boy baristas blending frappe just a few feet away.

Made up of five interconnecting short stories which happen to collide in a serendipitous yet unassuming coffee shop beside a Korean grocery store, the novel is a treasure box for romance, angst and everything in between, told in a witty yet thought-provoking manner. There may not be stand out one-liners that readers could post on Twitter and on Facebook in an attempt to sound well-read and deep, but then the narration flows effortlessly and engages readers right from the very first page.

It is worth mentioning the 4th short story of the book entitled "This Closure". It is a gripping piece no doubt everyone can relate to and will be in awe of the raw yet unedited, hauntingly delivered emotions beautifully put together by melancholy memory montages and candid thought monologues.

All in all, even though the stories' connections to each other can be wrapped up a bit more neatly, the book is a delicious mix of familiar stories to keep one occupied in an otherwise another cold and dreary rainy evening. All you will need is the book, a good light source to keep the migraines away (side effect of being an habitual ebook reader), a cup of your favorite caffeinated hot beverage and you will feel like you're in the company of good friends and greater stories, perfect to keep the loneliness at bay.

Orchestr-o-meter: B

Thursday, September 20, 2012


Consider me naive, or inexperienced, or too full of myself, too proud, maybe, or too feminist, possibly, but I could never understand the reasons and the thought process (if that even exists in situations like these) that goes on when people decide that, "This is it, I agree to be The Mistress."

The Kabit. The Number Two. The Third Party. The Home Wrecker.
The Glorified Whore.

I may be insulting a lot of people (even persons that I do know personally) but I honestly, sincerely, do not understand. I cannot grasp why men and women enter into these kinds of relationships when they know they are hurting and stepping on another human being's feelings and destroying a peaceful relationship, if not a family.

See, romance-wise, I live with this principle: "If he cheats WITH you, he will cheat ON you." Smack me with all the reasons in your artillery of excuses but this line really makes sense to me. It goes like this.

The fact that he is willing to be unfaithful to the woman he has said "I love you" to just that morning while he is preparing to meet up with you that night to make passionate coitus just goes to show what kind of person he is. A cheating liar. An untrustworthy lover. Do you really want to attach yourself with that kind of person? Really, now. Do you hate yourself that much?

And I'm not vilifying the men, it goes for both sexes. Just reverse the pronouns.

Maybe I'm being immature. Or possibly even too mature for today's Id-satisfying society. I just do not understand. If any of you can explain it to me, please feel free to do so.


Olivia M. Lamasan's masterpiece tackles this kind of conundrum our society knows too well. Unnervingly well, that this is bound to be a blockbuster (if it isn't already) and will no doubt pinch a nerve in a large percentage of movie-goers. Whether the benefactor, the legal wife, the lover or the mistress, everybody who has been in this kind of situation will be able to relate to the sharp piercing dialogue that says what people in those relationships desperately need to hear. 

What I liked the best about this film, aside from the flawless performances of all the lead actors and the stellar script, is the complexity of its characters. There is no black nor white, no evil antagonist nor holy protagonist. 

It shows Bea Alonzo's "Sari" as a lola-bathing-perfect-ate with a dark secret and John Lloyd's "JD" as a charismatic playboy with I'm-not-Dad's-favorite issue. Meanwhile, Ronaldo Valdez's "Rico Torres" is the slightly perverted (eww the bed scenes, wth) CEO of a multi-million family who apparently loves his family but cannot stop from taking in various mistresses. And lastly, Hilda Koronel's "Regina Torres" is the alcohol-friendly legal wife who just takes it all in.

The script is superb if not for the climax that I predicted 15 minutes into the movie. But then I can't remember the last time a local film's ending managed to completely surprise me so it's not a big deal. There was a couple of confrontation scenes that just stole the whole show and I was grateful that they didn't skirt around the things that needed to be said and images needed to be seen.


Try as hard as I might, however, I cannot feel sorry for The Mistress's character even in her most trying and humiliating times. I just feel like, a woman like that is not stupid, she definitely knew what she was getting into. Given, she got attached and developed real strong feelings for an old rich man who may or may not be using her just for sex and companionship but what made her enter that kind of agreement in the first place?
"Walang babaeng pinangarap maging kabit!" 
Then why are there so many of them stuck in the same circumstances over and over again? See, in the middle of the fire, one can simply blame uncontrollable feelings but I'm pretty sure in the beginning, the feelings weren't that hard to block, if only people were determined to do so.

Feel free to establish how juvenile my views are if you must, that I have no credibility to say any of these things because I haven't been in these kinds of situation and felt the turmoil of such complexity. Maybe, maybe not.

I have been asked, multiple times, both jokingly and in semi-seriousness under the guise of innuendos, by very eligible in-a-relationship bachelors if I'd be willing to "be Number 2-3" and my answer was a resounding, without a second thought, no.

Personally, I think it all boils down to this. From Stephen Chbosky's Perks of Being A Wallflower,  this quote said it best.

"...we accept the love we think we deserve."

Of half-baked promises, stolen hours in the dead of the evening, saved number and messages in "the other phone", whispered phone conversations, scheduled meetings at random faraway places, the secrecy and the deceit.

If you think that is all that you deserve, then, by all means, go and be someone's mistress.

Wednesday, September 19, 2012

For someone who has consumed books like daily vitamins for the past 13 years, how ironic it is that this is the first time I've attended the MIBF when they've been doing this for 33 years. Stalls and rows after rows of shelves filled with countless books of all shapes, colors and genres. I felt like (and the cliche goes) a kid in a candy store.

I had 3 goals in coming to the book fair. Not all of them were met but I did have a great time browsing through expensive-looking glossy covers and gawking at rare local published works I wouldn't be able to find in any local friendly red and white logo-ed bookstore.

First goal was to meet and greet and have the typical fangirl book-signing-and-picture with the resident internet Pogi Guy and my current brain crush Mr. Ramon Bautista (search the hilarious Tales From The Friend Zone videos on youtube and you will be hooked!) who I knew will be there at the PSICOM booth promoting his new book "Bakit Hindi Ka Crush ng Crush Mo" together with Stanley Chi and Tado. Of course, me and book buddy Epi (who blogs at  http://soksay.blogspot.com/ ) arrived too late with already a bunch of other fans in line for autographs and picture taking and no more book copies available. I did get to take a picture of them having pictures with other people. I guess that's the closest thing I'll get to being a fangirl. Must photoshop these pics soon.

Looong line to Tado, Stanley Chi and Ramon Bautista's book signing table.



Second goal was to find some unique designs for bookmarks. Since I'm not fond of reading physical paper and ink books because I have to hold them with both hands and get up and switch off the lights before going to sleep as compared to just turning off the iPad (how lazy is that?) I was interested in getting my hands on some unique bookmarks design like those magnetic ones I found in National Bookstore a few years ago (yes, that’s how long I’ve been reading paperless). Disappointingly, for a huge international book fair, in grand SMX of all places, we only saw one stall selling them and I didn’t even like the designs available.

Third was to find and purchase unique contemporary Filipino works because, honestly, I can't find them anywhere online. ;) But, seriously, I've developed this interest in literature written in English but based on Philippine society etc. and, no doubt, the UP Publishing booth won this category, hands down.

It's not much and I know people who have bought a lot more but in my defense, there wasn't a lot to choose from based on my detailed specifications and with the amount of religion/gospel books taking up half of the space inside the convention center, well, let's just say those stalls were automatically out of my to-browse list. Anyway, here are the 3 books I managed to buy from my first ever book fair attendance.

MIBF Book Haul 2012:

100 by UP Writer's Club - 100 literary works by UP college students (I'm guessing), all within 100 words "expressing kilig to kirot and all points in between". What a word goldmine. Glad we went back to the UP stall or else I wouldn't be able to buy this precious thing.

Beautiful Accidents by Ian Rosales Casocot - Short stories about Filipino modern life written in free-flowing English. Exactly what I was looking for. And isn't that cover just plain gorgeous?

A Hundred and One Reasons by Bianca Salindog - A 20-something Registered Nurse who has managed to published her own novel. Sounds exactly my dream. :)

All in all, it was a thrilling and refreshing afternoon to be surrounded by printed words, glossy covers, star-striking authors but, most of all, by fellow book lovers roving the store like drug addicts  in need of their latest pharmacological fix. Why this is the very first time I went to an event like this is still a mystery to me.

Wednesday, September 12, 2012


7. Don't have a sense of humor. Or have a sense of humor of a 5-year-old, unless of course the girl you're courting share the same level of comedy appreciation. Girls generally gravitate towards people who can make them laugh because  who wouldn't want to be with a person who have the capacity to make one laugh-out-loud happy?

Second, the quality of a man's humor is a reflection of how his brain works. And, personally, nothing is sexier than wit and a complex mind. But then, if a girl really likes you from the beginning, she will probably laugh at your most pathetic attempts on trying to be the next stand up comedian. :)

6. Dump all your life problems on the girl 5 minutes after knowing her name. It's basically the same with No.7 Be Fun To Be With rule. If the girl you like is not your best friend / only confidante (I'm talking about real BFFs and not the I-just-met-you-but-I-don't-know-how-to-court-you-so-I'll-just-pretend-to-be-your-"best-friend"-that-way-I-get-to-be-close-to-you-until-I-figure-out-how-to-grow-some-balls-and-officially-ask-you-out) there is no need to tell her every detail of your sad, heart-breaking, MMK-story-of-the-year existence. 

In movies, this technique works infallibly inside gloomy bars  with advice-giving bartenders but I don't think it works that well with normal happy people who just want to live life without having a near stranger's problem weighing them down.

5. Equate every material thing you own as a primary component to your worth as a person. Yes, you have a car and it's very shiny. Your smartphone is the latest model there is and is worth a full year's tuition fee of an elementary student. You can buy branded everything but what you cannot buy with your money is a woman's love. Yes, it's an enormous plus to have the bucks to spend for a woman, but in the end, it's not the number of three-headed bills in your wallet that we look at. Also, in a guy's perspective, you wouldn't want to reel in a hot gold-digger who only cares about your money and the expensive gifts you can give her, would you?

4. Complain about the simplest of things on Facebook, Twitter and other networking sites. Same goes with posting direct attacks or parinig to people who may be rubbing you the wrong way. Not only does it says "I'm a war freak, hear me roar!", it also implies that you will also be announcing to the world every misunderstanding and argument you may will potentially have in the future if you and her get into a relationship. 

3. Have God-Awful Hygiene. Does this really have to be explained?

2. Feign confidence. I don't know about other girls but I can smell fake confidence the moment a guy opens his mouth. Every how-to in dating will say that one should have self-esteem, however, the problem with trying to imitate confidence when one doesn't really have much of it is that the person end up sounding arrogant instead of self-assured. Another quality no girl in the entire archipelago (and the world for that matter) is attracted to. 


1. Text or private message comments such as "Mwah mwah" or "Tabi tayo matulog" when it's NOT being  reciprocated. Same thing with touchy-feely akbays and hand-holding on first dates when the girl is obviously squirming away from you. 

I will tell you the truth. That diskarte exclusively works to the fortunate few men who can carry the brazenly direct, slightly perverted kind of flirting. And honestly speaking, if you don't look or act the part in real life, do NOT attempt this style of courtship. Ever. It's tacky, it's icky, and... just don't do it. 

But of course, if the girl looks interested, then landi away. :)

---

I don't really know why I did this post in the first place because, in the end, if a girl likes you, then every corny, perverted and/or disgusting atom in your body will probably be overlooked and  could be even found attractive. Some guys just have it good, I guess. I know some who just exudes charm and appeal effortlessly, even those who aren't as physically and aesthetically gifted as you would expect them to be. 

For those who are not as lucky... there are always girls who may be attracted to you, ironically however, these are the ones you are not attracted to.

And here, ladies and gents, revolves the cruel cycle of singledom.



Photo Credits: There is a love by fogke (from Devianart.com)

Thursday, May 3, 2012


The Avengers. Seven heroes from different parts of the universe and genres, including a recently thawed all-American superhero, a self-made iron flying machine, a Norse God of lightning with his mighty hammer and a bunch of other characters I'm too ignorant to describe.

Pardon me for not being well-versed in the whole Marvel comic world (what's the name of that Bow Guy again? A friend just called him Black Hawk and I was tempted to add the word "Down" but then that's another movie.) but if there's one thing I know, it's Joss Whedon's works and his absolute brilliance.

It is no secret that I'm a huge fan of everything in the Whedonverse (Buffy the Vampire Slayer, Angel, Firefly, Dollhouse etc.) and watching The Avengers made me smile wistfully at all the little Joss-signiture quirks that I didn't know I was sorely missing. The whole movie was a trademark of his unparalleled wit and talent. I almost expected the whole gang to burst into song and dance number ala Buffy's Once More With Feeling and Dr. Horrible's Sing Along Blog. Now, if there is one person who could pull a bunch of superheroes in costume do a sing-off, it would be this man.


The movie, besides the strong intelligent script and amusing dialogue, is also a visual masterpiece. I remember reading an article almost a decade back when Joss had to tweak a Buffy script because of budget restraints. This certainly wasn't a problem with this film because the eye-candy and non-stop action that the movie brings to hungry and expecting audience is nowhere near disappointing nor lacking.

I honestly don't know how to end this review, if it could be called a cohesive review in the first place because all I've managed to do is gush about Joss Whedon and all the marvelous neurons inside that balding head of his.

I guess the point of write-up is, the movie is great and you should all spend P200 to go watch it in cinemas because cam versions uploaded in streaming sites and torrent just won't cut it. 

Orchestr-o-meter: A

Friday, April 20, 2012


I've procured a digital copy of the Fifty Shades trilogy even before Twilight moms went raving about it, catapulting it to the New York Times' Best Seller List. After spending a month on my iBooks library, I decided to finally give this highly controversial series a chance, and, boy, did it give me an eyeful. 

As much as I don't want to admit it, the first book was surprisingly addicting. There is something about the mysterious, rich, handsome and sparkly perfect male love interest falling for the seemingly mediocre girl next door with self-worth problems. Sounds familiar? It should. The premise has already been published internationally, garnered millions of screaming hormonal fans and gave birth to an equally ridiculously successful movie franchise. 

Twilight-inspired BDSM fanfiction. This is ultimately what the whole series is. Anastasia Steele is precisely Bella Swan in ropes with her self-abhorrence, exasperating quirks and irritating dislike for expensive gifts. The same way Christian Grey is Edward, minus the superhuman strength, blood cravings and literal sparkle. 

Having read and written too many fanfiction chapters for my own good, for me, this literary serving came from the McDonald's fastfood chain of greasy fiction. Not much seasoning, full of unwanted calories and prepared for the non-choosy masses. There are countless of better places to dine in, however, it still sells and people keep coming back for more.

It's like reading crack. You know it's bad for you and you could even feel your neurons wasting away but you can't seem to stop. At least for the first book (Fifty Shades of Grey), I've had this experience. However, with Fifty Shades Darker, the only thing that got darker is one's view of the plot. Because there was none. It felt like reading endless fanfiction chapters of fluff and smut with no direction whatsoever. Even the graphic sex scenes, which, let's face it, are a big contribution to the success of the trilogy, were toned down to make way for cuddles and never-ending professions of love.

Whether I will find the will and the patience to start and finish the latest installment of this runaway hit, I don't know, although one thing is clear. People reading these books should throw away the paperback novel and stick to their obscure iPads, Kindles and iPhones ebook versions because if I were to spot someone reading this book on the LRT, mental snickers would follow. 

You'll know what I mean.


Orchestr-o-meter: B-

Sunday, April 1, 2012


I'll be honest. "Pinoy Pride!" and "I'm so proud to be Filipino!" mantras aside, I only read this book because I heard that a Jose Rizal protegee has managed to penetrate the international publishing market with this debut novel. Thank you for living my dreams, but I will not sugarcoat this review and worship the ground that she stands on (ahem Charice fans ahem) just because me and the author shame the same ethnic background.

So here's my untainted opinion about this book that has been covering the shelves of local bookstores lately. It was... okay.

Three years after her husband Max's death, Shelley feels no more adjusted to being a widow than she did that first terrible day. That is, until the doorbell rings. Standing on her front step is a young man who looks so much like Max; same smile, same eyes, same age, same adorable bump in his nose; he could be Max's long-lost relation. He introduces himself as Paolo, an Italian editor of American coffee table books, and shows Shelley some childhood photos. Paolo tells her that the man in the photos, the bearded man who Paolo says is his grandfather though he never seems to age, is Max. Her Max. And he is alive and well.  

As outrageous as Paolo's claims seem; how could her husband be alive? And if he is, why hasn't he looked her up? Shelley desperately wants to know the truth. She and Paolo jet across the globe to track Max down; if it is really Max and along the way, Shelley recounts the European package tour where they had met. As she relives Max's stories of bloody Parisian barricades, medieval Austrian kitchens, and buried Roman boathouses, Shelley begins to piece together the story of who her husband was and what these new revelations mean for her "happily ever after." And as she and Paolo get closer to the truth, Shelley discovers that not all stories end where they are supposed to.

Let it be clear that I am not a fan of semi-supernatural love stories. Either have a whole new world of mystical beings such as vampires having relationship with slayers and wizard friends slowly falling for each other or have a completely realistic circumstances (albeit unlikely) set in places that actually exist in real life. 

That said, this novel is exactly at the middle of these parameters, much like The Time Traveler's Wife. But as much as adore that book, I can't quite say that with this publication . It doesn't mean that it's not any good nor doesn't deserve to be read. I've read lots of reviews praising the prose. I guess it just didn't fit with my tastes and expectations.


For me, the greatest weakness of the novel is the lack of an actual main plot and a satisfying ending to answer the mystery that has been slowly building up since the first page. The book is made up of endless short stories, spanning from a few decades ago to the beginning of civilization, portraying different characters and explaining historical sites, all of which are interesting, but after the nth flashback, I just wanted to skip all the Mother Goose tales and get back to the real plot. Unfortunately, this finally happened with only a handful of pages left, which were not sufficient to quench this reader's appetite for plot hole clarifications.

I do have to applaud the novel for the witty and superb writing style that made me stay with the book up until the end. The characters are likeable enough, I admittedly found myself swooning every time Max is on the page. For a romance novel, it lacked a few passionate punches here and there. It did, however, make me crave for baked eggs and cheese.

It was not an unputdownable book, nor a novel that would haunt me long after reading the last word, but I did pick up a few things from the journey, and that in itself made it worth the time and effort.

Now, if I can only find the recipe for that infamous Baked Eggs & Cheese.

Orchestr-o-meter: B-

Thursday, March 29, 2012


It's quite fitting that I haven't eaten for more than 24 hours when I found the time and waking neurons to catch the latest YA-Novel-to-bigscreen-superstardom flick of 2012. The Hunger Games is definitely one of the most anticipated movie of the year, and let me just say that all the hype and excitement surrounding the next-big-franchise was not a waste of time. Cower in your sparkly boots, Twilight, teenage angst will only get you so far, but a gripping story and strong independent characters will always prevail in the hearts of the thinking masses.

The movie opens with a sorrowful portrayal of District 12, showing scenes of poverty and destitution in shaky, head-aching angles that could only come from a camera man with a neurological disorder. But aside from the near-migraine I got from the style they decided on showing Suzanne Collin's world, I appreciated how the production made it a point to differentiate the way of life of poorer districts and the lavish colorful existence of those from the Capitol.


Enter the Capitol and the Hunger Games mission control center. From a film with a limited budget and a complicated world it has to portray, I think they succeeded in luring in the readers and giving their imagination the visual candy it deserves. Save for the disappointing silent screen Cornucopia scene (which I found terribly disappointing) and the bloody and violent killing moments which the production decided to soften by again putting their cameraman with uncontrolled spasms behind the lense, the movie portrayal was a success even for the whiniest and eyebrow-raising book fan that I am.

Strongest points of the film? The actors, without a doubt. Jennifer Lawrence played Katniss Everdeen perfectly. She carried the role with such power and social awkwardness that fits the character that I did not have to convince myself that she is the heroine in my mind while I was reading the book. The other actors also carried their own weight, although I do wish that Gale and his jawline managed to get more screen time. In the next movie, perhaps.


Weakest? They could have wrapped up the film more tightly, in my opinion. There are numerous scenes of morose lamentations and soul-searching stares that the 2 1/2 hours of the film could do without. I'm all for character development, really, but in a movie that boasts a televised arena where teenagers kill each other in order to survive, more action, less talk please.

End Note:

With the end of the wonderful and magical Harry Potter era and the closing of the sparkly slightly-homosexual vampire saga of Twilight later this year, this fan is happy to say that in a time of never-ending book adaptations, there is one that stayed surprisingly loyal to the prose. It didn't need to cut scenes nor add ones to make the film more interesting. Both the written and shot versions were superb and if that doesn't say the odds are definitely in our favor, then I don't know what does.

Orchestr-o-meter: A

Wednesday, February 29, 2012


Just in case you didn't notice the solitary "F" logo flashing proudly in its place, yes, it's the Facebook phone. And no, I didn't purchase it because of Facebook.

I've been wanting to change my phone for quite some time now. Although I've grown fond of my Samsung UltraTouch, times have changed and my elderly mobile just can't keep up with the aspects of technology that has now proved to be a necessity rather than a cool function a few years back.

Enter Mr. Chacha. The name may be lacking a few punches and reminds me of red lipsticked middle aged women and the Dance Instructor era, I've chosen this Gadget Baby as my new everyday electronic companion. Most people are underwhelmed with his capabilities and poke fun at his calculator inspired aesthetics but I love him anyways. Here's why:

1. HTC Sense Interface. I've been drooling over the HTC UI for quite some time now since I've already grown sick of Samsung's dark and dreary screens. Aside from Apple's iPhone which is still unbelievably expensive and a bit redundant for me since I already have an iPod Touch, there are only a few brands which came to mind. 

  • Samsung? Pass, I'll try something new. 
  • Forget Nokia, Symbian is for cave people. 
  • Blackberry? Yes please, if they weren't so darn expensive. The touchscreen-qwerty combo is still on the 20k+ bracket if I'm not mistaken.
2. Responsive Touchscreen. For a phone boasting its comfortable qwerty keypad, it has a surprisingly sensitive touchscreen with great feedback. This is particularly a deal maker since I've cancelled a lot of HTC phones off my list (HTC Explorer / HTC Wildfire S) because of less than brilliant screens and lagging processors.

3. Great Full QWERTY Keyboard. I've never had a phone with a full qwerty keyboard before. I've always typed novel-length texts with a physical/virtual alphanumeric one and to be honest, my right thumb really needs an ally in his duty. And I won't lie, this Blackberry nation has brainwashed me into thinking qwerty phones look more professional and sophisticated.

4. Affordable. For 8,900 php plus a complimentary dedicated silicone casing, you can't get any other Android touchscreen plus a physical QWERTY keypad with just the amount of one month minimum wage salary.

5. Threaded Messaging Heaven. To say that HTC's messaging interface is 90% of the decision making mental pie chart that made me buy this phone isn't that far off. Since I've been texting a lot recently, the threaded blue and white send and received texts sorted chronologically has been life changing.

I won't sugarcoat the first phone that I bought with my own money, it isn't perfect. The internal memory is only 150mb as compared with its advertised 512mb and I've read it fills up easily with apps and cached information from Facebook and other programs. The battery also makes me paranoid because without the proper settings, it has the potential to drain quickly.

But since I will be mainly using this for the normal call and text routine (more of texts really), its limitations doesn't really bother me. Find another gadget for your games and graphic heavy apps because the screen will leave more to be desired.

But if you're like me who just needs a fairly cheap mobile with a comfortable keyboard, a messaging interface to salivate over and the yummy Blackberry-ish LED light indicator for notifications and such, then look no further, you would definitely love dancing to the beat of this phone.

Hannah Payne’s life has been devoted to church and family. But after she’s convicted of murder, she awakens to a nightmarish new life. She finds herself lying on a table in a bare room, covered only by a paper gown, with cameras broadcasting her every move to millions at home, for whom observing new Chromes—criminals whose skin color has been genetically altered to match the class of their crime—is a sinister form of entertainment. Hannah is a Red for the crime of murder. The victim, says the State of Texas, was her unborn child, and Hannah is determined to protect the identity of the father, a public figure with whom she shared a fierce and forbidden love. 

In a future world where the lines of state and church is eradicated, felons roam the streets in multicolored stigma and revered church leaders commit sins in the worst possible ways, this novel portrays an all too familiar society present today that some would not dare admit.

In this dystopian universe, a sexually transmitted disease has rendered a good part of the population sterile, giving way to an political and religious fusion which brought about extreme faith-abiding laws which served as a noose around personal freedom. It encapsulates the reality how the faithful worship religious leaders like groupies in a rock concert and how, in return, these evangelists spread hope and strength while keeping terrible secrets of their own.

Aside from the gripping tale of an unlikely sinner protagonist, it is the characters' views on faith which I enjoyed the most. Like many of the articles and opinions I've read, it mirrors exactly my sentiments on religion, faith and today's society.

On the existence of God:
"If God is the Creator, if God englobes every single thing in the universe, then God is everything and everything is God. God is the earth and the sky, and the tree planted in the earth under the sky and the bird in the tree, and the worm in the beak of the bird, and the dirt in the stomach of the worm. God is He and She, straight and gay, black and white and red - and green and blue and all the rest. And so, to despise me for loving women, or you for being a Red who made love with a woman, would be to despise not only His own creations but also to hate Himself. My God is not so stupid as that."
On having a personal God not necessarily in congruence with any established belief:
And yet, Hanna's parents had taught her that faith was deeply personal, something between her and God alone. The contradiction struck Hannah now, as she fully appreciated how little volition she'd ever had in her own faith, how little her opinion had even mattered.
"My God is a God of infinite wisdom and love and compassion," Simone was saying, "not some bully who spends His time in throwing fire and Brimstone at homosexuals."
On the diversity of different religions and practices:
"A Catholic would tell you that questioning God is your first mistake, that faith must be blind and absolute or it's not faith at all. Of course, if I were a Catholic, I'd be wearing a habit not a collar, and my opinion about such important doctrinal questions wouldn't matter a damn to anyone... It doesn't matter to  God what we call ourselves, or even what we call Him. We're the only ones who care about that...."
On Free Will vs. God's Plan
"You don't have to stop thinking and asking questions to believe in God, child. If He'd wanted a flock of eight billion sheep, He wouldn't have given us opposable thumbs, much less free will." 
She'd been taught that free will was an illusion; that God had a plan for her and for everyone, a premapped destiny. But if that were true, then He'd meant for her to get pregnant and have an abortion, to be chromed, to be despised and humiliated, kidnapped and almost raped. She saw suddenly that this was at the core of her loss of faith: a reluctance to believe in god who was that indifferent or that cruel.
What impressed me the most is the undertone in the novel that, even though the world in the story is full of liberal minded homosexuals, abortionists and hypocrites hiding under the veil of religiosity, there is still this wonderful all-encompassing higher being who is watching over us all. That things aren't black and white as they seem. The shunned criminal may have reasons for his actions and the most pious evangelist may be hiding the blackest of sins.

Religion may be a driving force for most people but it is not a prerequisite in believing and loving an omnipotent being who, in my opinion, doesn't need a specific name nor an image. He (or She) may be born in a stable to be visited by three kings or from traders from Mecca, what matters is, we do the most that we can in this existence and try to touch as many lives as possible, religion or no religion.

Monday, November 28, 2011

As much as I am a Twilight basher, I have shamelessly watched all the 3 previous movies and read the novels that came out of the franchise. Why? Just to have the right to have an opinion, mostly. I cannot insult what I know nothing about. Anyway, this was the year that I thought I would not be able to write my annual sarcasm-infused Twilight movie-of-the-year review because of time constraints, but 'lo and behold, here it is. I may not be my usual gritty self because of the crippling pain in my bleeding uterus, but I'll do my best.


For the record, I was not able to read the novel. Even the lure of using a new gadget and reading with my much anticipated iBooks app was not enough to make me endure the childish, whiny and self-centered contents of Bella Swan's thoughts. That, and of course, and Stephanie Meyer's horrid writing. I told myself that the movie was bound to be more interesting than the book, as with what happened when New Moon came out when the film actually made it seem that the literary version has a story to tell.

That said, with just the slightest idea of the plot as told by a friend, here is what I thought about the underworld's newest sparkly blockbuster hit.

First off, the movie started out like a bad fanfiction reenactment. I have read too many fan-made chapters of fluff and smut to know what cheesy plotlessness is and the first 30-45 minutes of Breaking Dawn Part I epitomizes just that. I have no idea which was taken from the book or were just put there for visual purposes, but no amount of cinematography could save almost an hour of teary-eyed parental goodbyes and PG-13 make-out sessions.

Side note: Honestly, what were Bella's parents on when they decided to let their just-graduated-from-high-school 18-year-old daughter marry an unemployed undergrad with a bad case of anemia? I mean, seriously. As far as I know, this isn't the 18th century where the only goal of a women in her life is to marry young and marry wealthy ala Jane Austen's Pride and Prejudice.

Moving on, I have to give it up for Taylor Lautner for an awesome performance as always. Just when the audience was getting sick of all the make-out sessions with Bella and Edward on the beach, bed, waterfalls, sofa, beside a chess set, he comes in with just the right intensity before the whole films turns into vampire-themed porn. But seriously, Jacob Black was awesome in this movie, his almost photoshopped beach-ready human body is just as adorable with his cuddly It's-so-fluffy-I-wanna-die wolf form.


As for the plot, I really don't think the book needed to be split into two movies. There wasn't much that went on in this half and I feel that the movie would've have been actually great (action packed and with good pacing) if done in totality. It was not like in Harry Potter and the Deathly Hallows where too much has happened that squeezing everything into one big production without the scenes being rushed is next to impossible. This is a classic example of big companies who want bigger profit in expense of quality and artistry.

Wait, quality and artistry? This is Twilight we're talking about, who am I kidding?

All in all, even having skipped the book, I believe the production has done all that they can with the little they have to work with. It has succeeded again in making the book more interesting even to non-fans with that cliffhanger ending. I may probably end up picking up where I left off, page 10 I think of the Breaking Dawn novel. 

Nah, probably not.

Orchestr-o-meter: C

Thursday, October 6, 2011


It's not that I don't like watching local mainstream films in the cinema, it's just that I don't think they're worth the money. I know that sounds a bit harsh but it's the truth. With streaming movies on the Internet and P50 pirated DVDs, at this day and age, you better make sure that you get what you're paying for when watching flicks straight from the big screen. The last local movie I've watched was Enteng Kabisote using a special promo ticket where we got to watch the film for free and sad to say, it's not even worth the P10 we paid for tax.

That said, I still can't believe I got dragged into this movie under the lure of spending time with co-volunteers and staff in the institution I am currently serving in. But surprisingly, for a local mainstream movie, it was pretty enjoyable, or just unintentionally funny, I can't be sure.

The strength of the movie lies in its script, this is an understatement. With a predictable plot (especially the cheesy I-saw-that-arc-a-mile-away-I-can't-believe-you're-using-that-scene-AGAIN ending) and lukewarm to just plain bad acting from its lead stars (Anne Curtis was an exception, she was phenomenal), it is the witty laugh out loud "banats" that people look for in this kind of movie, and boy, did it deliver.

The audience was roaring with laughter a quarter of the way into the film. Kudos to whoever the screenwriter was that thought of these great lines. (I can't remember the characters' names so I'll just put in the actor's names instead.)


NO OTHER WOMAN ONE-LINERS

Carmi Martin to Christine Reyes: Panahon na para i-pack-up ‘yang si Lucy Torres mo. Ilabas mo na diyan si Gretchen Barretto. Sabi nga niya sa Magkaribal, ‘You want war? I’ll give you war.’ Anak, ako na ang bahala sa red stilettos mo!


Chrstine Reyes to Anne Curtis: Sabi nila, a way to a man’s heart s through his stomach.
Sa ganda mong yan, siguro madami kang alam na shortcuts.

Christine Reyes: Alam mo kasi ang marriage parang exclusive village.
Kailangan mong bantayan para hindi makapasok ang mga squatters.

Christine Reyes: Why don’t you have dinner with us tonight, pa thank you ko na rin dahil kinuha mo ang asawa ko.
Anne Curtis: I’m sorry?
Christine Reyes: Bilang supplier ng furniture para sa resort niyo.

Christine Reyes: Bikini mo ba iyan o balat mo? (referring to Anne’s snake-skin printed bathing suit)

Carmi Martin: Kung ahas siya mas ahas ako! Tahimik pero kapag kinanti – nanunuklaw! 

Christine Reyes: Baka makita mo pang nilalagyan ko ng lason ang pagkain mo. Joke lang. Medyo off yung humor ko lately.

Christine's Friend (forgot the name): Naku. Ganyan talaga kapag galing sa makating dikya, nagmamarka. (Referring to a kiss mark on Derek’s neck)

And the famous...



Carmi Martin: Ang mundo ay isang malaking Quiapo, maraming snatcher, maagawan ka, lumaban ka!

Christine Reyes: Tsaka ano bang mahirap kalaban? Yung putang mahirap o yung putang mayaman?
Carmi Martin: Pareparehong puta lang yun!

My favorite line:

Carmi Martin: Pareparehong puta lang yun! Ang mayaman bumibili ng Hermes sa mall, ang mahirap bumibili ng Hermes sa Greenhills!


So yes, aside from these great lines, there's really nothing more this movie has to offer unless you think Derek Ramsey's sex scene with two different beautiful ladies add weight to the quality of the movie. Still, it's a great flick to watch with rowdy friends. You will all end up making fun of Christine Reyes' dramatic scene in the end and the disgustingly predictable ending. Good times.

Saturday, September 24, 2011


In an intelligent and thought-provoking decision, Department of Health Secretary Enrique Ona issued a memorandum terminating all "Nurse Volunteer Programs", "Volunteer Training Program for Nurses" and all similar and related programs, in all DOH-retained hospitals.

64666926 DOH Termination of Nurse Volunteer Programs

While the memorandum brings appealing images to mind (the end of nurse exploitation, employment for licensed registered nurses, respect for the nursing profession etc.), the only effects of the ordinance that is evident right now is public hospitals being grotesquely understaffed, patients suffering from inadequate care from overworked and burnt out staff nurses and entry level nursing graduates experiencing What-The-Hell-Do-I-Do-Now? syndrome.

Two-Way Street

It's not all bullying, over fatigue and slavery that envelops a nurse volunteers life. Not every registered nurse gathers used bottles in a kariton to sell at junk shops just to have money for hospital training fees. These scenarios get featured in news programs and documentary reports because it is dramatic and controversial. Truth of the matter is, nurses volunteer because they choose to practice their profession rather than apply in call centers, have fake accents and answer calls from strangers. They do it to gain leverage in this highly competitive job market.  Because let's face it, no hospital in their right mind will hire a newly licensed nurse with zero post graduate experience.

Please do not underestimate us. We are not slaves, we know what we are doing and we are aware of the situation in these hospitals. We are not shackled to the nursing station with big metal chains, forced to administer medications under duress and monitor vital signs at gunpoint. We were not dragged into an institution to serve against our will but we do it because we want to and, so far, we see the favorable outcome of honing our crafts and sharpening our skills.

Add to that the priceless feeling of having a schedule to follow, a purpose to attend to, every day. One of the hardest things in life is to wake up at numerous mornings in a row and not be able to know what to do that day or the day after that. Plus, there is the relationship and unique bond that is formed with co-trainees, staff nurses and even patients that no bum, useless, non-"slavery" day could replace.

One thing I could completely agree with, though, is that we should not be paying thousands of pesos for these so-called trainings when we have already offered our brains, bodies and licenses for free. That long-standing custom, Secretary Ona, should be the one eternally abolished but NOT, yes you read it right, every training/volunteer program in the country.

A Dead End

So, with all due respect, DOH Secretary Ona, what do you propose we, unemployed registered nurses, do now? 

With Nurse Volunteerism / Nurse Trainings now prohibited in DOH mandated hospitals and NO ADDITIONAL BUDGET given for hiring needed nursing manpower, every one suffers. Staff nurses are reeling from the sudden influx of additional work load, patients are neglected from lack of care from the preposterous nurse-patient ratio and fresh graduates now have no opportunity to practice what they have learned in college, therefore lessening their chances of getting hired by hospitals due to inadequate experience.

Forgive me for this, but I think the memorandum is a hasty band-aid approach to a long and complicated problem of nurse shortages and exploitation in the country. It was a decision without due thought of the various elements that made the despicable nursing trade of our country what it is today. The problem is a hideous many-limbed menace and cutting of one arm will only make it bleed and stagger.

So, again, if I may ask, seriously, WHAT NOW?

Friday, August 26, 2011



How fitting it is that in this "Buwan ng Wika" we see an article written by an Ateneo de Manila University student and a columnist on Manila Bulletin online about the flaws and inadequacy of the Filipino language. Understandably, the write-up has raised a more than a few eyebrows, but before we lash out the argumentum ad hominems that will sure to follow once this news hit the pinnacle of internet fame, let us first try to fully understand the writer's sentiments and dig out the naked truths behind the crude almost-insults.

"Language, learning, identity, privilege" 
by James Soriano
MANILA, Philippines — English is the language of learning. I’ve known this since before I could go to school. As a toddler, my first study materials were a set of flash cards that my mother used to teach me the English alphabet.  
My mother made home conducive to learning English: all my storybooks and coloring books were in English, and so were the cartoons I watched and the music I listened to. She required me to speak English at home. She even hired tutors to help me learn to read and write in English. 
In school I learned to think in English. We used English to learn about numbers, equations and variables. With it we learned about observation and inference, the moon and the stars, monsoons and photosynthesis. With it we learned about shapes and colors, about meter and rhythm. I learned about God in English, and I prayed to Him in English.  
Filipino, on the other hand, was always the ‘other’ subject — almost a special subject like PE or Home Economics, except that it was graded the same way as Science, Math, Religion, and English. My classmates and I used to complain about Filipino all the time. Filipino was a chore, like washing the dishes; it was not the language of learning. It was the language we used to speak to the people who washed our dishes.  
We used to think learning Filipino was important because it was practical: Filipino was the language of the world outside the classroom. It was the language of the streets: it was how you spoke to the tindera when you went to the tindahan, what you used to tell your katulong that you had an utos, and how you texted manong when you needed “sundo na.”  
These skills were required to survive in the outside world, because we are forced to relate with the tinderas and the manongs and the katulongs of this world. If we wanted to communicate to these people — or otherwise avoid being mugged on the jeepney — we needed to learn Filipino.  
That being said though, I was proud of my proficiency with the language. Filipino was the language I used to speak with my cousins and uncles and grandparents in the province, so I never had much trouble reciting.  
It was the reading and writing that was tedious and difficult. I spoke Filipino, but only when I was in a different world like the streets or the province; it did not come naturally to me. English was more natural; I read, wrote and thought in English. And so, in much of the same way that I learned German later on, I learned Filipino in terms of English. In this way I survived Filipino in high school, albeit with too many sentences that had the preposition ‘ay.’  
It was really only in university that I began to grasp Filipino in terms of language and not just dialect. Filipino was not merely a peculiar variety of language,derived and continuously borrowing from the English and Spanish alphabets; it was its own system, with its own grammar, semantics, sounds, even symbols. 
But more significantly, it was its own way of reading, writing, and thinking. There are ideas and concepts unique to Filipino that can never be translated into another. Try translating bayanihan, tagay, kilig or diskarte.  
Only recently have I begun to grasp Filipino as the language of identity: the language of emotion, experience, and even of learning. And with this comes the realization that I do, in fact, smell worse than a malansang isda. My own language is foreign to me: I speak, think, read and write primarily in English. To borrow the terminology of Fr. Bulatao, I am a split-level Filipino.  
But perhaps this is not so bad in a society of rotten beef and stinking fish. For while Filipino may be the language of identity, it is the language of the streets. It might have the capacity to be the language of learning, but it is not the language of the learned.  
It is neither the language of the classroom and the laboratory, nor the language of the boardroom, the court room, or the operating room. It is not the language of privilege. I may be disconnected from my being Filipino, but with a tongue of privilege I will always have my connections.  
So I have my education to thank for making English my mother language.
Source:  http://showbiznest.blogspot.com/2011/08/james-soriano-language-learning.html (Manila Bulletin's copy of the article is not accessible.)
Source:http://www.thefilipinodiaspora.com/2011_03_03_archive.html  
Let's see. First of all, I don't think this is satire. And if it is, then I think it's a badly written one. That said, I think this article is a perfect mix of downright insulting statements and stinging facts.

Let me tell you a story. When I was a kid, I was also barraged with the English language. My parents spoke to me in English, read to me books in English and later on I learned to write in English. I am not kidding when I say I cannot write a passable paragraph in completely grammatically correct Tagalog. I would struggle with our composition writing in Filipino in high school yet the words just flow through me when it was in English. 

Now, almost everything that I write on the Internet is in English, including blog posts, articles, status updates, tweets and comments. I also aced my IELTS exam with two 9s and an 8.5 over-all band score (9 is the highest possible score). 

Am I proud of having a decent command of the English language? Yes. Do I think lowly or make fun of people who can't string two English words together? Sometimes, that I will admit. Do I think of the Filipino language as the dialect of the poor and the unlearned? Definitely, NOT!

Filipino was a chore, like washing the dishes; it was not the language of learning. It was the language we used to speak to the people who washed our dishes.   
It was the language of the streets: it was how you spoke to the tindera when you went to the tindahan, what you used to tell your katulong that you had an utos, and how you texted manong when you needed “sundo na.”  

This, my friends, is the language of the rich, with the American accent and the posh cadence with pieces of Tagalog words thrown in between sentences. It's the "Let's make baka, don't be takot" kind of vernacular only heard from the elite. I've had the unenviable chance to actually hear this peculiar language with my own ears a few years back. I always thought the impressions I've heard from other people were just exaggerations, but it was real.

The erroneous thing about these paragraphs is labeling the Filipino language as the language of the streets just because it is the common people who mostly use it. But what about the timeless literature written in this beautiful language? Or the OPM songs that still holds boundless power with their burning lyrics and melody?

Filipino was not merely a peculiar variety of language,derived and continuously borrowing from the English and Spanish alphabets; it was its own system, with its own grammar, semantics, sounds, even symbols. 

Halfway through the article, I thought we're finally getting through the heart of the piece. That after whipping our dialect to pieces, he would then rebuild it again with patriotic messages that would make the language shine with beauty and grace. But then he followed it up with sentences that I think were both the best and the worst of the piece.

For while Filipino may be the language of identity, it is the language of the streets. It might have the capacity to be the language of learning, but it is not the language of the learned.  
It is neither the language of the classroom and the laboratory, nor the language of the boardroom, the court room, or the operating room. It is not the language of privilege.


Although I do not agree with the writer's sentiments that Filipino is the language of the streets, I do concur that it is, somehow, the language of the learned. 

"Ako Mismo" Photo by Yjanas
Now the painful part. My dear countrymen, let us admit it. How many subjects in the classroom are taught in Filipino? How many subpoenas and legal documents are written in Filipino? How about in the hospital or in any facets of the medical field? How do you translate Caesarian Section to Filipino anyway? What about Engineering terms? Chemistry? Math? Heck, even our educated senators in the senate were arguing recently on the use of the Filipino language during the RH Bill interpellation.

Before we charge at James Soriano with pitchforks and smoking ears while simultaneously proudly baring the patriotic stance, let us first look at the world around us. 

How many public signs in the metro can you spot written in Filipino? What about restaurant menus? Instruction manuals? If you call somebody using your cellphone and you could not contact them or inquire for your load balance, what language is the message in? If Google was set by default in Tagalog, can you actually find your way around without getting confused?

Lastly, how far can you go without speaking a single non-Filipino word in a day?

My point is this. The author may have carelessly labelled Filipino as the language of the streets and the unlearned but we, ourselves, have degraded the language into something undecipherable. Something that would have trouble standing on its own without foreign help. 

Globalization plans, proliferation of call centers training agents to have fake accents, the mentality that English equals Intelligence, Jejemon and text messaging culture have ripped off the glory from our national language. 

Though the article may have the tone and the content to rub people the wrong way, it delivers a semblance of truth most citizens would not dare swallow. I guess until we learn to open our eyes to the facts and do something about it, our own language would still continue on being the second best and indefinite.

And so will our identity.

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